Devoti Giuseppe
19 Mar 07 by Devoti Giuseppe
Devoti Giuseppe artworks

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cavalli pazzi2a

dynamism and folly of the thought

Cavalli pazzi333
Cavalli pazzi333
Cavalli pazzi333

For fields of moon, my thoughts, galloping crazy horses to the wind.

cavalli pazzi2a
cavalli pazzi2a
cavalli pazzi2a

Pittura puraista

Blindo a Caana
Blindo a Caana
Blindo a Caana

painting to encausto represents the relationship that the car has with the modern war with all of its denaturalizing horrors the human kind.

Di fronte al Leviatano (In front of the Leviathan)
Di fronte al Leviatano (In front of the Leviathan)
Di fronte al Leviatano (In front of the Leviathan)

The title, of the picture, it evokes the genesis of the political power of Hobbes opposed to the "is of nature: unpleasantly miserable, solitary, brief and brutal because dominated by the war of all against all." In this work the sky almost purchases an explosive new dynamism, while the elements compositivi, in the routine of the artist, they are specified taking evidence. The ideal grate of the "arboreal skeletons" it becomes more and more detached by the environment. Two ectoplasmatiches are present figures, archetypes of a humanity to specify him in the substance, but you clearly insert in the context. A larva of perspective grate, embryo of the order, individualizes the direction evoluzionaria of the human society and completes the horizontal plan. The flash of light of the sky finds specularità in the white elements of perspective strengthening at the base of the composition.

Fata morgana (Fairy morgana)
Fata morgana (Fairy morgana)
Fata morgana (Fairy morgana)

the fluctuating black elements on the landscape that shines through among the roots of the arboreal simulacris, are introduced as cages of alien metal craftsmen of a thin anxiety. These structures, castles fatati, unfriendly and at the same time involving, ammagliano creating desire to investigate only this extraneous environment to aware and rational but deeply rooted level in our unconscious. The slanting signs make still the more extraneous horizontal plan to the natural stereotypes.

La foresta pietrificata
La foresta pietrificata
La foresta pietrificata

of 2006, the spontaneity of the stylized signs, from the dark contrast coloristicos, point out the utopia toward a world energizzante, it is the ideal dynamism of this painting to express hope. He aspires, in the nature of the picture, to represent what the look evokes. It doesn't look out upon to the alone public the visualized subject, but also his/her subjectivity proposing her as perceptive ability of the art. Who observes, abdicating the familiarizing recognition, it analyzes the spaces to identify them as novelty inconosciuta every time that introduces him to the look. In this picture known elements reappear: the ascending movement of the trees "alienated skeletons" that they represent the need of relationship with the absolute one. While a new horizontal tension seems to want to report the individual conscience with the surrounding environment. The horizontal signs represent the wish to order the intermediary space among conscience and unconscious, aspired in which work the "Super Me" censorio. The bond among the parts of the composition is gotten by the call of the clear marezzatures of the sky on the perspective plan.

Permalink: https://artprocess.com/giuseppe/878#921
10 Mar 08 21:34

There seems to be a resolution problem with this piece. I would love to comment later.