Remember me on this computer
Mirko Sevic's artist profile


Mirko's portfolio
Exhibitions/Events Exhibition

1995- Gallery the Centre for culture, Topusko

1996- Performans Milorad Tepavac, Mirko Sevic and friends, Gallery ULUS Belgrade, Yugoslavia

1996- “The 38th Gold pen of Belgrade,” The 4th International Biennial of Illustration, Museum ’25th Maj”, Gelgrede, Yugoslavia

1997-The Exhibition of drawings, Mirko Sevic, Gallery ‘Skadarlija” Belgrad, Yugoslavia

1998- “The 39th. Gold pen of Belgrade” Yugoslav’s Biennial of illustration,The Art pavilion “Cvijeta Zuzoric, Belgrade, Yugoslavia

1999- Mirko Sevic dravings, Gallery SKD “Prosvjeta,” Osijek, Croacia

2000- Mirko Sevic, drawings “Caffe Gallery” Osijek, Croacia

2005-The Passion’s motif , The 3th competition exhibition “ Pasionska bastina” Museum Mimara Zagreb, Croacia

2005- The Exhibition of the drawing, Mirko Sevic, “Museum Kozara” Prijedor, Bosna and Hercsgovina

2006- The Exhibition of the drawing, Mirko Sevic “Gallery Topusko” Topusko, Croacia

2007- Exhibition, the Society for Art of Imagination, Mall Galeries, London UK

2008. The Passion's motif, the 4th Competition exhibition "Pasionska bastina" Museum Mimara, Zagreb, Croatia

2008. Exhibition Nada Matijevic and Mirko Sevic,Library SKD-"Prosvjeta" Zagreb, Croatia

2011,. 8th International Biennale of Contemporary Art in Florence, Italia

Next exhibition

2013. Solo exhibitioin, New Art Centar Manhattan, New York

Publications Drawing is the main form of the artistic expression of Mirko Sevic. There is nothing strange about that considering that a line and a pencil sketch have no limits in their usage. At the centre of Mirko?s interest, above all I would say, is the evil, the obscure part of a human nature or society (collective evil), as well as the final destructive result the evil has on a human being. Mirko presents dramatic evidence and depicts all the above in effective drawing of deformed and naked female figures. The evil within us, pathological in its essence, universal in meaning, is expressed in drawings of frighteningly crippled individuals and malformed foetuses. The evil in action, the one provoking severe human suffering, utter despair, and the final cry of the dying, is visible in the same precise and detailed portrayal of crumpled and disfigured medley of bodies. Firm and expressive in his technique, the artist succeeds by almost shocking us, in confronting us with the intensity of his authentic and sincere statement.

Ivona Rajacic Barandovski
Art Historian
SULUJ Custodian
Email Address mirkosevic[AT]
Address livadski put 13 Topusko
Nationality Yugoslavia
Date of birth 24.04.1954
Why make art? I am a painter of the darkness for a drop of good.
Irretrievably, I immersed into the darkest corners of spieitual destructiveness of a human being in hope to describe it, to stay for a while. Humbleness of those who suffer captured my sensibility.
I resist nit, I seek for the wau out.
My images tried to be a message, no one replied.
Now, they are just a sceam and I am not sure anyone can hear it.