1995- Gallery the Centre for culture, Topusko
1996- Performans Milorad Tepavac, Mirko Sevic and friends, Gallery ULUS Belgrade, Yugoslavia
1996- “The 38th Gold pen of Belgrade,” The 4th International Biennial of Illustration, Museum ’25th Maj”, Gelgrede, Yugoslavia
1997-The Exhibition of drawings, Mirko Sevic, Gallery ‘Skadarlija” Belgrad, Yugoslavia
1998- “The 39th. Gold pen of Belgrade” Yugoslav’s Biennial of illustration,The Art pavilion “Cvijeta Zuzoric, Belgrade, Yugoslavia
1999- Mirko Sevic dravings, Gallery SKD “Prosvjeta,” Osijek, Croacia
2000- Mirko Sevic, drawings “Caffe Gallery” Osijek, Croacia
2005-The Passion’s motif , The 3th competition exhibition “ Pasionska bastina” Museum Mimara Zagreb, Croacia
2005- The Exhibition of the drawing, Mirko Sevic, “Museum Kozara” Prijedor, Bosna and Hercsgovina
2006- The Exhibition of the drawing, Mirko Sevic “Gallery Topusko” Topusko, Croacia
2007- Exhibition, the Society for Art of Imagination, Mall Galeries, London UK
2008. The Passion's motif, the 4th Competition exhibition "Pasionska bastina" Museum Mimara, Zagreb, Croatia
2008. Exhibition Nada Matijevic and Mirko Sevic,Library SKD-"Prosvjeta" Zagreb, Croatia
2011,. 8th International Biennale of Contemporary Art in Florence, Italia
2013. Solo exhibitioin, New Art Centar Manhattan, New York
|Publications||Drawing is the main form of the artistic expression of Mirko Sevic. There is nothing strange about that considering that a line and a pencil sketch have no limits in their usage. At the centre of Mirko?s interest, above all I would say, is the evil, the obscure part of a human nature or society (collective evil), as well as the final destructive result the evil has on a human being. Mirko presents dramatic evidence and depicts all the above in effective drawing of deformed and naked female figures. The evil within us, pathological in its essence, universal in meaning, is expressed in drawings of frighteningly crippled individuals and malformed foetuses. The evil in action, the one provoking severe human suffering, utter despair, and the final cry of the dying, is visible in the same precise and detailed portrayal of crumpled and disfigured medley of bodies. Firm and expressive in his technique, the artist succeeds by almost shocking us, in confronting us with the intensity of his authentic and sincere statement.|
Ivona Rajacic Barandovski
|Address||livadski put 13 Topusko|
|Education||Date of birth||24.04.1954||Why make art?||I am a painter of the darkness for a drop of good.
Irretrievably, I immersed into the darkest corners of spieitual destructiveness of a human being in hope to describe it, to stay for a while. Humbleness of those who suffer captured my sensibility.
I resist nit, I seek for the wau out.
My images tried to be a message, no one replied.
Now, they are just a sceam and I am not sure anyone can hear it.